This major exhibition includes a matchless group of paintings and watercolours by Paul Cézanne, as well as paintings and sculptures by artists including Paul Gauguin, Henri de Toulouse-Lautrec, Edouard Manet, Edgar Degas and Amedeo Modigliani.
This collection formed by Henry and Rose Pearlman after the Second World War is one of the most important in North America and this will be the first time it has ever been shown in Europe.
The exhibition includes twenty-four works by Cézanne: six oils; two drawings; and sixteen watercolours which constitute one of the finest and best-preserved groups of his watercolours in the world. The majority of these are Provençal landscapes, while others depict characteristic Cézanne motifs including a skull, female bathers, and his beloved Mont Sainte-Victoire.
Cézanne and the Modern also explores the history of twentieth-century private collections of this type. Key to the Pearlman Collection is Henry Pearlman’s own tastes. He collected pictures and sculptures that he liked and his thrill at discovering unknown masterpieces is evident throughout. Star pictures include a colourful and unusual composition by Vincent Van Gogh, Tarascon Diligence (1888); Amedeo Modigliani’s celebrated portrait of Jean Cocteau (1916–17); and among the sculptures are three bronzes by Jacques Lipchitz and one by Wilhelm Lehmbruck; and an extraordinary painted relief, Te Fare Amu (1901-2) by Paul Gauguin.