The fascinating and inspiring comparisons will – both in terms of contents and space – encompass all collections of the Städel Museum: visitors will come upon temporary “partnerships” in about eighty selected places throughout the house to be explored for three and a half months. Jan van Eyck’s “Annunciation” (c. 1434/36) will fly in from Washington, for example, and meet with the master’s “Lucca Madonna” (1437) that resides in the Städel. The two paintings, which rank among the most beautiful and, as regards their contents, most complex Madonnas of the most famous Early Netherlandish artist, were part of the splendid old masters collection of William II, King of the Netherlands, until 1850.
The confrontation of Edgar Degas’s “Musicians in the Orchestra” (1872–1876) with his “Ballet Scene from Meyerbeer’s Opera ‘Robert Le Diable’” (1876) reveals a common ground in terms of both contents and motifs, in particular in regards to the depicted relationship between orchestra and dancers. Bringing together loans such as “Geschlecht mit Klößen (Sex with Dumplings)”, (1963) with paintings from the collection of the Städel Museum like “Acker (Field)”, (1962) elucidates the painter Georg Baselitz’s early work as a crucial position in the history of German twentieth-century painting. The Department of Prints and Drawings will also be visited by works of Elsheimer, Goltzius, Ernst Ludwig Kirchner, and others